Sunday, May 20, 2007

How Wood Rims are Made


Every few years, the Cermenati's travel to a favored grove of old beech trees in Slovenia. One is felled, milled, and the planks are taken back to Italy for aging.


When the time is right, the lumber is planed into smaller strips.


Traditionally, the long strips were soaked prior to shaping. Today, however, the laminations are thinner (just a few millimeters) and they can be bent without wetting.


The thin strips are coated with modern, 2-part epoxy and bent into a spiral wound, hoop shape. Between each strip is a layer of cotton cloth. Thinner strips, more numerous laminations, 2-part epoxy, and cotton layers are recent enhancements to the historical manufacturing process which create substantially stronger and more stable rims. Visually, none of this can be readily detected and the rims are still entirely hand made. Ghisallo rims: traditional yet modern.


The spiral hoops are securely glued.


The basic rim shape is glued.


The glued hoop is fly cut on a horizontal routing machine.


After several cuts, the hoop assumes its final shape.


The rim is then precisely drilled for nipples in this dedicated machine. Once drilled, each rim is carefully sanded and finished with many coats of marine epoxy. The process is basic but many years of experience is necessary to produce rims with legendary performance. It's not a cheap process, but these rims are a match for the very best that have ever been made.

Tying and Soldering Made Easy

Tying and soldering spokes at the last cross was once a common procedure, the mark of a well made wheel. Why has it disappeared? The conditions that made it so useful are gone:

(1) Rims of variable quality, often wood, that flexed and made noise, especially at spoke crossing contacts.
(2) Unpaved roads in every direction.
(3) Spokes that often broke and tried to become tangled in the drivetrain.
(4) A time when the cost of labor was low and craftsmanship was more highly valued.

OK, so it's gone. No need to mourn. Let's celebrate this old tradition by doing it in style. Make sure your ties are fit for the most immaculate restoration. Each of your ties should look like jewelry, not like crude electrical soldering. Here's your guide:

Materials:
28 gauge TINNED copper wire
Sta-brite silver solder and its bottled acid flux in water solution
Simichrome
side cutter to trim wire
80 watt Weller soldering iron or equivalent
clean shop rag

Posture:
Try sitting on a low stool with thighs parallel to the ground and the wheel on its side in your lap, like a pizza.

Preparation:
Clean the spoke crosses if they’re not brand spanking new. If you use lacquer thinner, make sure your rag is very clean. Alcohol can do a good job, too. Beware of burning the shop down. Move swiftly from cross to cross.

Tying:
Work on the spoke cross that is nearest to you and on top of the wheel. Both your hands should be free to manipulate the wire. Pull off 20cm of wire from your spool. Maybe the spool should be spinning on some fixed spindle so things go faster. I often use one of the indicator arms of my truing stand. Clip the length free. Slip one end up about 1cm up from below, into the acute angle formed by the cross and nearer the hub. If you pull the remaining strand towards you its 1cm end with catch in the intersection. Now wrap the wire around the cross using both hands and moving from hub to rim. Make 8 wraps, trying to keep each loop edge to edge and not overlapping. With practice, this becomes automatic. After the eighth loop, wrap the cross three times parallel to the plane of the rim, cinching the 8 small loops tighter. This should look like the way straight branches are lashed together with rope in the Boy Scouts. After completing the three tightening loops, snap the remaining wire end away from the tie. If you pick the correct angle to snap, the wire will break flush with the tie and no trimming is required. Drop the short scrap of wire and admire your work. Rotate the wheel so another tie is front and center. Repeat the tie. Flip the wheel over to tie the bottom side.

Soldering:
Once all crosses are tied, flux must be applied. Set the wheel on a workbench surface and place a drop or two of acid flux on each tie. If correctly placed, the flux will wick into the tie with a bit of it remaining in a small meniscus next to the wire. Once all ties are coated, heat up the iron. I found that the soldering goes best when the iron is not too hot. Let it reach temperature, wipe the tip clean with flux and coat it with a nice, uniform layer of solder. Holding the iron in one hand and the solder in another, place the tip against the side of a pre-fluxed tie. You’ll hear a hissing sound as the flux evaporates. The solder will wick into the tie in an instant. Any extra must be removed by briefly touching the bottom of the tie with the iron. The excess solder will return to the iron’s tip.

Once you have the hang of it, each tie takes about 2 seconds. Flip the wheel over to solder the other side. When the iron is too hot the solder will acquire a crusty, yellowish surface and not flow into each tie nicely. Just unplug the iron, do a few more ties until it seems too cool. Plug it back in. You might unplug it once or twice per wheel, at worst. Done correctly, each tie looks perfectly sculpted in shiny, brilliant silver.

When you’ve finished, unplug the iron and go back and quickly rub each tie with Simichrome or equivalent. This shines each tie and, more importantly, neutralizes the acid flux which will otherwise travel down to the hub and rim with rain or sweat to create ugly scars.

Rules:
Practice makes perfect. As with all soldering and brazing, cleanliness of the area is key to good results. Anyone can do a perfect job. It takes no luck and goes very quickly. Don’t tie a wheel unless you can guarantee perfect results. Wheels are so beautiful in their untied state that we feel it is unacceptable to tie them if the tie is not a complement to that beauty. So don’t allow a crummy appearing job on some premise like, “Well, at least it’s tied.”

Ghisallo Wood Rims History

Ghisallo Wood Rims boasts more than 60 years experience begun in the legendary Milan workshop of D'Alessandro. Following the retirement of D'Allesandro himself, his partner, Antonio Cermenati, transported the tooling to Magreglio; high above Lake Como in the Italian Alps. The Cermenati family has, for three generations, preserved the passion for this gem of creative craftsmanship, the only living example of its kind. The rims are constructed in a workshop only a few hundred meters from the Chapel of the Madonna del Ghisallo, famous to all the World's cyclists, and the brand new cycling museum of Ghisallo.

Antonio's son, Giovanni, has mastered and continued this craft in Magreglio. It's with great pride that he is now turning the business over to his son, Antonio. The continuity within this artisan family guarantees the highest quality of workmanship.

"Our friend Giovanni has not only continued a beautiful tradition, but a cyclist who likes these rims now has a way to find them. On wood rims I three times won the Tour of Flanders."
Fiorenzo Magni

Ghisallo rims are made entirely of aged beech wood from Slovenia, laminated in multiple layers with special marine adhesives and varnish - carefully finished for a perfect appearance and function - hand made in the artisan tradition. The rims are very elastic and rugged. They are not easily deformed and absorb road and trail vibration providing comfort to the cyclist.

Even today wood rims are a viable alternative because they do not overheat like aluminum alloys. They are popular with amateur riders and used throughout the world in both tubular and clincher models.

Wheel Fanatyk is proud to represent Ghisallo wood rims in North America. Explore the posts in the Wood Rim categories for more information.

To purchase rims, visit my eBay store.

Any further questions, send me a message.